Free Download D.W. Griffith: An American Life, by Richard Schickel
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D.W. Griffith: An American Life, by Richard Schickel
Free Download D.W. Griffith: An American Life, by Richard Schickel
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Product details
Hardcover: 672 pages
Publisher: Simon & Schuster (April 1, 1984)
Language: English
ISBN-10: 0671225960
ISBN-13: 978-0671225964
Package Dimensions:
9.4 x 6.1 x 1.9 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#953,046 in Books (See Top 100 in Books)
WANNA KNOW ABOUT THE KENTUCKY HILLBILLY TRANSFORMED INTO THE FATHEROF FILM? READ THIS
because this book has been so obsessively researched --&, largely, that shows-- it is discomfitting to find easily fixed errors in it.i refer, spefically, to the years the author thinks antia loos & lillian gish were born-- not a big deal, perhaps, if the errors were off by a single year, but they are off by closer to 10.lillian gish, terribly important (obviously) in this biography, was around *30*, not 23, when she played the 15-year-old in "broken blossoms."similar mistake as concerns the age of anita loos: she was NOT a teenager when she sold her first script ("the new york hat" or no) to biograph.again, simple & seemingly somewhat insignificant errors, but when this information is so easily checked, & has not been bothered w/, it makes one wonder about the other facts in this book.
The book was delivered swiftly and promptly. Moreover, as a film lover, the content of the novel was most throughly informative of the life of the father of the visual American Storytelling style.
Thorough—Well written
D.W. Griffith is by far a fascinating and confusing character in film history. He gets the obligatory nod though Im still sad to say I meet many an aspiring director/writer/actor who doesnt even know the name (dang youth.) If he is known hes 'that old guy who made that racist movie and was in the Klan'. A heavy, and somewhat inaccurate statement (he wasnt aware of his racisim, he wasnt in the Klan, true he was older when he got into film).Many books have been written about Griffith, and many of them took ancedotes at their word. What Griffith said was truth. In fact they overlooked the fact that he was a showman first, and tended to cast history and his legacy as he saw fit. This biography (at a weighty 800 some pages) painstakingly sorts through all this. For instance Griffith didnt go broke on Intolerance (it didnt sell well but he did turn a modest profit), he didnt make Intolerance to recitify Birth (in fact he made it as a dig at the 'moralizers' and busy bodies), he barely made any films involving race, and he wasnt ever really broke (though given his risky business dealings it was always possible).In Whitfield's "Pickford a Woman who Made Hollywood" she says everything Griffith did he did with style. Thats true of how he portrayed his life, how he really lived his life, and even how he died (under the big chandelier of the Knickerbocker Hotel). You can debate Griffith and his work to death, but there is no more authentic, well researched, and well written biography out there then "Griffith: an American Life".I'd like to add despite how dry such a big meaty book could be Schickel tells it an in entertaining way (after rationalizing various reasons Griffith's brother may have turned down a independence saving business move Schickel says of the brother, "Or he may just have been an idiot.") Shickel tries to dig beyond the myth and piece together the real man. I suspect hes succeeded better than anyone ever has and probably ever will.
The egregious transcendence of D.W.Griffith into the whole cinema is such big, that I cannot unless to regret that most hard moviegoers around the world as well as specialized audiences are not yet aware of it.Griffith was the sublime harbinger of the cinematography, the master of film editing, the superb storyteller of the most ambitious projects, the most influential filmmaker over Eisentein and the rest of all the filmakers after him.As Orson Welles stated : "All of us owe him all we are as filmmakers". And the sad finale of his epic life (found dead in the room of a miserable hotel)without honors, without that well deserved distinction he had earned for posterity is still (at least to my view) a total mystery and a cruel deception about the unknown human nature.What else may it be added to this illustrious genius of the camera, the sublime author of Intolerance and Birth of a nation? Why not the Griffith award instead of The Oscar Award? It would be a little grain of sand for his memory.This book explores and inquires the most significant details around his life with absolute honesty and awareness.Please, go for it. It will reward you for a long, long time.
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