Free PDF An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art
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An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art
Free PDF An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art
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From the Author
When I started to edit An Exaltation of Forms, everyone thought my vision for the book was a revolutionary idea: Â to invite performance poets, free verse poets, metrical poets, and exploratory poets together into one book to talk about what form meant to them and to provide discussion and examples of their favorite forms. It took eight years to edit the book, and by the time we were done, everyone thought the idea made complete sense. Â It is still the only book of its kind, and I hear constantly from people who use it in teaching or in their own writing and find it irreplaceable.
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About the Author
Annie Finch's books of poetry include Eve, Calendars, and Spells: New and Selected Poems. Â . Her poetry has appeared in the Penguin Anthology of Twentieth-Century Poetry and onstage at Carnegie Hall. She is also the author of many books about poetry including A Poet's Craft: A Comprehensive Guide to Making and Sharing Your Poetry. More at anniefinch.com.
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Product details
Paperback: 442 pages
Publisher: University of Michigan Press; 1 edition (February 20, 2002)
Language: English
ISBN-10: 0472067257
ISBN-13: 978-0472067251
Product Dimensions:
6.1 x 1.4 x 9.2 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#508,046 in Books (See Top 100 in Books)
great book
this is an indispensable book for my poetry practice...
A generic forms book with the same tired examples everyone else has already used. You're better off with a Norton Anthology (The Making of a Poem: A Norton Anthology of Poetic Forms), which will be far more informative and will use examples both classic and new.
Excellent text.
Some good essays, but most were undergraduate pieces from the 1950s,except the ideas were less compelling than they would have been in that era. Disappointing, but also revealing, because as always it would be better if poets just wrote poetry (unless your John Keats: see his letters) and stopped cluttering up the world with their prose.
Something that continually astounds me about the modern community of poets - particularly the ones you'll encounter in academia - is that they DO exalt form...but at the same time, the style is looked upon as somehow passé. As if these foundational poetic methods have...gone out of style? I certainly hope not. Meter and rhyme scheme provide a brilliant framework to create beautiful work. Annie Finch is a pioneer in the New Formalist movement, and this collection of works truly serves to demonstrate the rich tradition that all modern poetry is built atop. On the subject of feminism and formalism, one of the most beautiful ideas Finch presents in this (and other works) is that a female voice in this style is inherently innovative, because of the lack seen in previous generations. And while I absolutely adore the free verse styles employed in contemporary poetry, as an amateur poet, I find my own voice most liberated within the "boundary" of form.
Wow, this book has made quite an impression. There is nothing I can say to top what has been said already, but what I can do is add my two cents of approval. I actually prefer this book over Turco's Book of Forms. It reads better and explains the forms better. This books covers a wide variety of traditional and experimental forms of poetry. And Finch and Varnes pulled together a diverse group of poets, from R.S. Gwynn and Dana Gioia to Maxine Chernoff and DJ Renegade. From Anthony Hecht to Paul Hoover. There's Tim Steele, Jan Hodge, X.J. Kennedy, Agha Shahid Ali, Maxine Kumin, Charles Bernstein, adn Billy COllins. You get all styles of poets and poetry within. For any serious poet, this is a must have book. And it is loaded with great examples of each type it discusses.
I LOVE this book and urge you to read it. In fact, I found it important enough to reference in my MFA poetry thesis:"My attitude towards formal poetics echoes that of friends and colleagues Annie Finch and Kathrine Varnes, as detailed in their recent anthology An Exaltation of Forms: 'by including both exploratory and traditional forms. . . . [we] hope to open a discussion about form that cuts across poetic movements, which have for too long either ignored or distorted each others' insights and expertise' (2). In the spirit of Smith, both Finch and Varnes embrace this multiplicity of being, but they apply the concept to poetic form itself. I too find their willingness to consider organic form seriously a sturdy bridge between New Formalism and the more experimental and 'non-academic' schools of poetry. Such willingness to hear, to learn, and to understand can make poetry (and other cloven territory) stronger at its broken places."Whether you are a hardcore formalist or convinced that "form equals fascism" (a position that I would gently urge you to reconsider), you will find many tools for the poetic toolbox in this book.Keep an open mind, and a both-and rather than either-or mentality, and try the experiments that you find the most suspect. For me, it was Jena Osman's procedural poetry (pp. 366-78), which involved the seemingly inane exercise of circling words in a printed article, then using those words to build a draft of a poem. What I got was one of my strongest free-verse pieces!For a book to cover a range of expertise and poetics including (but not limited to!) Dana Gioia, Shahid Ali, Marilyn Hacker, Allison Jospeh, Hilda Morley, Alice Fulton, Tim Steele, Tracie Morris, Bob Holman, Amiri Baraka, DJ Renegade, Sam Gwynn, and Charles Bernstein is nothing short of amazing. That Finch and Varnes came out with a book useful for creative writing workshops, individual writers, literary theorists, and general readers is a great gift to all of us who care about the art and craft of poetry.
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